November (Stress Matrix Sonnet)
the cunning hunt is on and they won’t stop until they’ve won
promised land of empty pockets; box-cocked bottle rockets
and tax cuts for the wealthy though our livelihood’s undone
left and right divided fight on large screen plasma sockets
there’s no escape the muddy traipse across the white house lawn
slinging themes of healthcare dreams and water not polluted
our well’s run dry; war’s pumping high, dark drilling’s desert dawn
speeches sold; blue collars kissed, their skeletons refuted
keep raising funds; religion guns, a puppet master’s pawn
constitutions bought and sold; campaigns run convoluted
uprising revolution occupy a battle wall
take back control a generation’s fireworks exploded
ignore the nightly circus as the mighty smitten call
overrun with blackened tea; a consciousness railroaded
Notes on the form:
This is the Sonnet version of Stress Matrix Dectet/Stress Checkerboard Stanza –
developed by Luke Prater
14 lines, 14 syllables per line – aBaB cDc DcD eF eF
where lowercase are iambic heptameter (7 beats/stresses per line), and uppercase trochaic heptameter. This yields a perfect ‘checkerboard’ of stressed and unstressed syllables (14 x 14, equalling 196 syllables).
Depending on where the Volta arrives (the ‘turn’ – resolution, or at least, change in tone, crucial aspect to a sonnet), there are 3 different stanza layouts (the rhyme-scheme stays the same).
If the turn comes after the first eight lines, as it does in Italian Sonnets, the layout is
aBa BcDcD cDe FeF.
If it comes after line ten (unique!), then it’s aBaB cDc DcD eFeF (same as English but ending on a quatrain rather than the two couplets). — the Volta in this poem arrives at line eleven.
windmills (octain)
Disclaimer:
read at your own risk. Venusian language shamelessly present, likely to offend Martian sensibilities.
untrussed in wonder’s hush content
spring locks around them like a veil
lithe shadows traced in sunlit Braille
the river ripples lagniappe sent
spin windmill’s woodland daffodils
and lumen prisms rapture lent
bare ardent breath and bough inhale
untrussed in wonder’s hush content
Apparition
panoramic captives
dangle seraphic
swivel in silver bands
of tangled light
unhinged bridges
sink the shingles
and grieving eaves
of my crescent roof
exquisite apparitions
blinking Black
incantations
on kindred sides
of one reality
holograms drawn
in beveled proof
wings torn weightless
between this night
and morning’s revelry
Susquehanna (visual edition)
apparition
confetti
confetti
public prunes
and glinting prisms
silver-hinting mannerisms
pimped-up flaunting
garish taunting
wafting eyes and
goody-goody
goodyisms
manicured
main squeeze
the trailer park
still breezes
through a Ph.D.
appeasing
finger-plucking
harp fucking
knicknacking
kindle-cracking
kibble
two bits
filigree flipped
swiveling lips
that memory lane’s
misguided
rivalry hides in
razor-lathe pride
locked on line-ties
a stalker
parade
a Cinderella wave
chide peacocking
colours blown high
in the spent-time
tinsel ribbons
of a literary exhibitionist
Ties (Octain)
Algorithm
an ordered pair forms
rational numbers intersect
coefficients affine
though defined mapping
requires balance
on both sides
of the math
decisions are plotted
with curving precision
intercepting confidence
converse
and respecting
lines
follow
a logical
sequence
of steps
enlisted
statistics predict
in weighted degrees
we reason between
two complex expressions
and our convergence of dots
on the graph









